Born 1962 in Philadelphia. Lives and works in New York.

EDUCATION

1986      M.F.A., Yale University School of Art, New Haven, Connecticut

1984      B.F.A., Tyler School of Art, Temple University, Philadelphia

1982      Temple Abroad, Tyler School of Art, Rome

SOLO EXHIBITIONS

2017

Lisa Yuskavage, David Zwirner, London England [forthcoming]

2016

Lisa Yuskavage, David Zwirner, Frieze Art Fair, New York, New York

2015

The Brood, The Rose Art Museum, Brandeis University, Waltham, Massachusetts [travels to Contemporary Art Museum St. Louis], [catalogue]

Lisa Yuskavage, David Zwirner, New York

2013

Lisa Yuskavage, greengrassi, London 

2011

Lisa Yuskavage, David Zwirner, New York 

Lisa Yuskavage: Tragic Land, The Royal Hibernian Academy, Dublin [organized as part of the Dublin Contemporary Terrible Beauty – Art, Crisis, Change & The Office of Non- Compliance]

2010

Lisa Yuskavage, greengrassi, London

2009

Lisa Yuskavage, David Zwirner, New York

2007

Lisa Yuskavage, greengrassi, London

2006

Lisa Yuskavage, Museo Tamayo Arte Contemporáneo, Mexico City [catalogue]

New Work, David Zwirner, New York, concurrent with New Work, Zwirner & Wirth, New York [catalogue]

2004

Lisa Yuskavage, greengrassi, London

2003

Lisa Yuskavage, Marianne Boesky Gallery, New York

2002

Lisa Yuskavage, greengrassi, London

Lisa Yuskavage, greengrassi at The Galleries Show, Royal Academy of Arts, London

2001

Lisa Yuskavage, Centre d’Art Contemporain, Geneva

Lisa Yuskavage, Marianne Boesky Gallery, New York

Watercolors, Studio Guenzani, Milan

2000

Lisa Yuskavage, Institute of Contemporary Art, University of Pennsylvania, Philadelphia [catalogue]

1999

Lisa Yuskavage, greengrassi, London

1998

Lisa Yuskavage, Marianne Boesky Gallery, New York

1997

Lisa Yuskavage, Studio Guenzani, Milan

1996

Lisa Yuskavage, Boesky & Callery, New York

Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California [catalogue]

1994

Lisa Yuskavage, Christopher Grimes Gallery, Santa Monica, California

Lisa Yuskavage, Luhring Augustine, New York

Watercolors, Elizabeth Koury, New York

1993

Lisa Yuskavage, Elizabeth Koury, New York

Lisa Yuskavage, Studio Guenzani, Milan

1990

Lisa Yuskavage, Pamela Auchincloss Gallery, New York

1988

Lisa Yuskavage: Paintings, Maurice M. Pine Free Public Library, Fairlawn, New Jersey

1986

Lisa Yuskavage: MFA Thesis, Yale School of Art, New Haven, Connecticut 

1984

Lisa Yuskavage: Paintings, Drawings, and Prints, Penrose Gallery, Tyler School of Art, Philadelphia

SELECTED GROUP EXHIBITIONS

2017

Hope and Hazard: A Comedy of Eros, Hall Art Foundation, Reading, Vermont

2016

First Light: A Decade of Collecting at the ICA, Institute of Contemporary Art, Boston, Boston Massachusetts

Hey You! ~ Who Me?!, 32 Edgewood Gallery, Yale School of Art, New Haven, Connecticut

MORE Than Words, Westport Arts Center, Westport, Connecticut

SHE: International Women Artists Exhibition, The Long Museum, Shanghai, China

Transactions, The Knockdown Center, Maspeth, New York

2015

Collection in Focus, The Rose Art Museum, Brandeis University, Waltham, Massachusetts

Intimacy in Discourse: Unreasonable Sized Paintings, Mana Contemporary and the School of Visual Arts, New York

NO MAN’S LAND: Women Artists from the Rubell Family Collection, Rubell Family Collection, Miami

Print Up Ladies, Islip Art Museum, East Islip, New York

Studio Guenzani, Milano 1986-2015: Molto-Tutto, Studio Guenzani, Milan

The Art of Our Time, Museum of Contemporary Art, Los Angeles

True Monotypes, International Print Center New York

Unrealism, The Moore Building, Miami Design District, Miami 

2014

Disturbing Innocence, The FLAG Art Foundation, New York [catalogue]

Hidden and Revealed: Representations of Women by Women, Angles Gallery, Los Angeles

Love Story – The Anne and Wolfgang Titze Collection, Winter Palace and 21er Haus, Belvedere, Vienna [catalogue]

Nude, Gemeentemuseum, The Hague

Queensize – Female Artists from the Olbricht Collection, me Collectors Room/Stiftung Olbricht, Berlin

SHE: Picturing women at the turn of the 21st century, David Winton Bell Gallery, Brown University, Providence, Rhode Island

Somos Libres II: Works from the Mario Testino Collection, Pinacoteca Giovanni e Marella Agnelli, Turin [catalogue]

Spaced Out: Migration to the Interior, Red Bull Studios, New York

2013

Come Together: Surviving Sandy, Year 1, Industry City, Brooklyn [catalogue published in 2015]

Expanding the Field of Painting, Institute of Contemporary Art, Boston

The Distaff Side, The Granary, Sharon, Connecticut [catalogue published in 2014]

2012

Decade: Contemporary Collecting 2002-2012, Albright-Knox Art Gallery, Buffalo, New York [catalogue]

Faces, Onassis Cultural Centre, Athens [catalogue]

Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present, Woodmere Art Museum, Philadelphia [catalogue]

New to the Print Collection: Matisse to Bourgeois, The Museum of Modern Art, New York

Pittura (1995-2009), Studio Guenzani, Milan

Print/Out, The Museum of Modern Art, New York

The Road Ahead, Roberts & Tilton, Culver City, California

2011

80 @ 80, pu Gallery of American Art, Phillips Academy, Andover, Massachusetts 

American Exuberance, Rubell Family Collection, Miami [catalogue]

Creating the New Century: Contemporary Art from the Dicke Collection, The Dayton Art Institute, Ohio [catalogue]

Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non- Compliance, Earlsfort Terrace, Dublin [online catalogue published in 2012]

Full Circle: The Evolution of Fine Art Printmaking at Universal Limited Art Editions, Gardiner Art Gallery, Oklahoma State University, Stillwater

Images from a Floating World: 18th and 19th Century Japanese Erotic Prints and the Echo in Modern and Contemporary Art, Fredericks & Freiser Gallery, New York

Legacy: Selections from Emily Fisher Landau’s Gift to the Whitney Museum of American Art, Fisher Landau Center for Art, Long Island City, New York

Mars vs. Venus: Images of Male and Female, Greg Kucera Gallery, Seattle

New York Prints of Mind: Prints from the Universal Limited Art Editions, Schweinfurth Memorial Art Center, Auburn, New York [itinerary: Stone Quarry Hill Art Center, Cazenovia, New York]

NY: New Perspectives, Brand New Gallery, Milan

Sammler-Leidenschaft, Museum Stift Admont, Austria

Secret Societies, Schirn Kunsthalle, Frankfurt [itinerary: Musée d’art contemporain de Bordeaux] [catalogue]

Universal Limited Art Editions, Aberson Exhibits, Tulsa [itinerary: Hiram Butler Gallery, Houston, Texas]

2010

American Printmaking Now, National Art Museum of China, Beijing [itinerary: Guan Shanyue Art Museum, Shenzhen, China; Zhejiang Art Museum, Hangzhou, China; Shanghai Art Museum]

Between Picture and Viewer: The Image in Contemporary Painting, Visual Arts Gallery, School of Visual Arts, New York [catalogue]

Dirty Kunst, Seventeen, London

Face to Face, Museum of Contemporary Art, Denver

Hecate’s Lab, Senior & Shopmaker Gallery, New York

Multiple Pleasures: Functional Objects in Contemporary Art, Tanya Bonakdar Gallery, New York 

Size Does Matter, The FLAG Art Foundation, New York [catalogue]

The Library of Babel/In and Out of Place, Zabludowicz Collection, London [catalogue]

Until Now: Collecting the New (1960-2010), Minneapolis Institute of Arts, Minnesota

You’ve Gone Too Far This Time, Faggionato Fine Arts, London 

2009

30th Anniversary, Christopher Grimes Gallery, Santa Monica, California 

Bad Habits, Albright-Knox Gallery, Buffalo, New York

Paint Made Flesh, The Frist Center for the Visual Arts, Nashville, Tennessee [itinerary: The Phillips Collection, Washington, D.C.; Memorial Art Gallery, University of Rochester, New York] [catalogue]

Party at Chris’s House, Janet Kurnatowski Gallery, New York

Robert Rauschenberg and His Contemporaries: Recent Prints from Universal Limited Art Editions, Heckscher Museum of Art, Huntington, New York

Talk Dirty to Me…, Larissa Goldston Gallery, New York

The Female Gaze: Women Look at Women, Cheim & Read, New York

The Modern Wing, Art Institute of Chicago, Chicago

Universal Limited Art Editions: Then and Now, Greenfield Sacks Gallery, Santa Monica, California

Women: An Exhibition of Paintings and Sculptures on Loan from the Steven & Alexandra Cohen Collection, Sothebys, London

2008

826NYC Art Show – An Auction to Benefit Children’s Literacy, David Zwirner, New York

Attention to Detail, The FLAG Art Foundation, New York [catalogue]

Bad Painting — good art, Museum Moderner Kunst Stiftung Ludwig Wien, Vienna [catalogue]

Diana and Actaeon: The Forbidden Glimpse of the Naked Body/Diana und Actaeon: Der verbotene Blick auf die Nacktheit, Museum Kunstpalast, Düsseldorf [catalogue]

Eyes Wide Open: New to the Stedelijk & The Monique Zajfen Collection, Stedelijk Museum, Amsterdam

Female Forms and Facets: Artwork by Women from 1975 to the Present, Central Connecticut State University Art Galleries, New Britain

The Gallery, David Zwirner, New York

Go for it! Olbricht Collection (a sequel), Weserburg Museum für moderne Kunst, Bremen, Germany [catalogue published in 2009]

Happy Vacation, Jane Kim/Thrust Projects, New York

Légende, Domaine départemental de Chamarande, France [catalogue]

Out of Shape: Stylistic Distortions of the Human Form in Art from the Logan Collection, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York [catalogue]

Paint Made Flesh, The Frist Center for the Visual Arts, Nashville

Philadelphia Collects: Works on Paper, Delaware Center for Contemporary Arts, Wilmington

Weighing and Wanting: Selections from the Collection, Museum of Contemporary Art, San Diego, La Jolla, California

2007

America Today: 300 Years of Innovation, National Art Museum of China, Beijing (organized by the Solomon R. Guggenheim Foundation) [itinerary: Shanghai Museum and Shanghai Museum of Contemporary Art; Pushkin Museum of Fine Arts, Moscow; Guggenheim Museum Bilbao] [catalogue]

Artist Collaborations: Fifty Years at Universal Limited Art Editions, The Museum of Modern Art, New York

Don’t Look: Contemporary Drawings from an Alumna’s Collection (Martina Yamin, Class of 1958), Davis Museum and Cultural Center, Wellesley College, Wellesley, Massachusetts [catalogue]

the feminine mysterious, Red Dot Contemporary, West Palm Beach, Florida

In Flux, Ikon Ltd., Santa Monica, California

Important Modern and Contemporary Paintings Including Works from a Private European Collection, Archeus, London

Multiplex: Directions in Art 1970 to Now, The Museum of Modern Art, New York

Paper, Fisher Landau Center for Art, Long Island City, New York

The Present: The Monique Zajfen Collection, Stedelijk Museum, Amsterdam 

ULAE: New Editions, Larissa Goldston Gallery, New York

2006

The Other Side #2. Radical Pursuits: Delights in the subversive and sublime, Tony Shafrazi Gallery, New York

Painting Codes. I codici della pittura, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy [catalogue]

People. Volti, corpi e segni contemporanei dalla collezione di Ernesto Esposito, Museo d’Arte Contemporanea Donna Regina, Naples [catalogue]

2005

Drawn Across the Century: Highlights from the Dillard Collection of Art on Paper, Gallery of Contemporary Art, University of Colorado Springs, Colorado

Girls on Film, Zwirner & Wirth, New York

Laguna’s Hidden Treasures: Art from Private Collections, Laguna Art Museum, Laguna Beach, California

“Post” and After: Contemporary Art from the Brandeis University Art Collection, The Rose Art Museum, Brandeis University, Waltham, Massachusetts

2004

The Charged Image: From the Collection of Douglas S. Cramer, Joseloff Gallery, University of Hartford, Hartford, Connecticut

Group Show, Barbara Krakow Gallery, Boston

New Prints 2004/Spring, International Print Center, New York

The Print Show, Exit Art, New York

Seeing Other People, Marianne Boesky Gallery, New York

She’s Come Undone, Artemis Greenberg Van Doren, New York

Santa Fe 5th International Biennial: Disparities and Deformations, Our Grotesque, Santa Fe, New Mexico [catalogue]

2003

de Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York

Reverie: Works from the Collection of Douglas S. Cramer, The Speed Art Museum, Louisville, Kentucky [catalogue]

Self Portraits: A Vogue Portfolio, Deitch Projects, New York

Skowhegan Faculty Exhibition, Institute of Contemporary Art, Maine College of Art, Portland

Stephen Greene: Painter and Teacher, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts

Supernova: Art of the 1990s from the Logan Collection, San Francisco Museum of Modern Art [catalogue]

Terrible Beauty, Roebling Hall, New York

Woman on woman, Whitebox Art Center, New York

2002

177th Annual: An Invitational Exhibition, National Academy of Design, New York [catalogue]

Fusion Cuisine, Deste Foundation for Contemporary Art, Athens [catalogue]

Go Figure, LUXE, New York

New Prints 2002/Summer, International Print Center, New York

Visual Jury 2002 Exhibition, Fine Arts Work Center, Provincetown, Massachusetts

2001

Arte Contemporáneo Internacional, Museo de Arte Moderno, Mexico City [catalogue]

Camera Works: The Photographic Impulse in Contemporary Arts, Marianne Boesky Gallery, New York

Contemporary Collectors XVI, Museum of Contemporary Art San Diego, La Jolla, California

furor scribendi: Works on Paper, Angles Gallery, Santa Monica, California 

Lateral Thinking, Art of the 1990s, Museum of Contemporary Art, San Diego, La Jolla, California [catalogue]

Naked Since 1950, C&M Arts, New York [catalogue]

Works on Paper from Acconci to Zittel, Victoria Miro Gallery, London

2000

00, Barbara Gladstone Gallery, New York [catalogue]

46th Biennial Exhibition: Media/Metaphor, Corcoran Gallery of Art, Washington, D.C. [online catalogue]

2000 Whitney Biennial, Whitney Museum of American Art, New York [catalogue]

Drawn From Life, Marianne Boesky Gallery, New York

The Figure: Another Side of Modernism, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, New York [catalogue]

Go Figure, Norfolk Public Library, Connecticut

Greater New York, P.S.1 Contemporary Art Center, Long Island City, New York [catalogue]

Persona(l): Selections from the Robert J. Shiffler Collection, Grunwald Gallery of Art, Indiana University, Bloomington

A Plurality of Truths, Schick Art Gallery, Skidmore College, Saratoga Springs, New York [catalogue]

Salon, Delfina Project Space, London

Works on Paper 2000, American Ambassador’s Residence, Bratislava [catalogue]

1999

6th Istanbul Biennial: The Passion and the Wave, Istanbul [catalogue]

Etcetera, Spacex Gallery, Los Angeles

Invitational Exhibition of Painting and Sculpture, American Academy of Arts and Letters, New York

Looking at Ourselves: Works by Women Artists from the Logan Collection, San Francisco Museum of Modern Art [catalogue]

Negotiating Small Truths, Blanton Museum of Art, University of Texas at Austin [catalogue]

The Nude in Contemporary Art, Aldrich Contemporary Art Museum, Ridgefield, Connecticut [catalogue]

Spellbound, Karyn Lovegrove Gallery, Los Angeles

The Time of Our Lives, New Museum of Contemporary Art, New York [catalogue]

1998

From Here to Eternity: Painting in 1998, Max Protetch Gallery, New York

Then and Now and Later, Yale University Art Gallery, New Haven, Connecticut [catalogue titled Then and Now: Art Since 1945 at Yale]

People, Places, and Things, Marianne Boesky Gallery, New York

Pop Surrealism, Aldrich Contemporary Art Museum, Ridgefield, Connecticut [catalogue]

A Portrait of Our Times: An Introduction to the Logan Collection, San Francisco Museum of Modern Art [catalogue]

Presumed Innocence, Anderson Gallery, Virginia Commonwealth University, Richmond [itinerary: Contemporary Arts Center, Cincinnati] [catalogue]

The Risk of Existence, Phyllis Kind Gallery, New York

Young Americans 2, Saatchi Gallery, London [catalogue]

1997

My Little Pretty: Images of Girls by Contemporary Women Artists, Museum of Contemporary Art Chicago [catalogue]

The Name of the Place, Casey Kaplan, New York 

Pictures, Patents, Monkeys, and More…On Collecting, Western Art Gallery, Western Washington University, Bellingham (organized by Independent Curators International) [itinerary: John Michael Kohler Arts Center, Sheboygan, Wisconsin; Akron Art Museum, Ohio; South Bend Regional Museum, Indiana; Institute of Contemporary Art, University of Pennsylvania, Philadelphia; Pittsburgh Center for the Arts] [catalogue]

Project Painting, Lehmann Maupin and Basilico Fine Arts, New York [catalogue]

SLAD, apexart, New York 

Women’s Work: Examining the Feminine in Contemporary Painting, Southeastern Center for Contemporary Art, Winston-Salem, North Carolina [exhibition publication]

1996

Adicere Animos, Cesena-Cesenatico, Bologna [catalogue]

Early Learning, L & R Entwistle Ltd., London

Heart’s Desire, Judy Ann Goldman, Boston

Inter-Mission, Basilico Fine Arts, New York

Norfolk ’96, Yale University Summer School of Music and Art, Norfolk, Connecticut

Rome Selection: 30 Years of Tyler School of Art Temple/Rome Program, Tyler School of Art, Temple University, Philadelphia

The Tailor’s Dummy, Christopher Grimes Gallery, Santa Monica, California

What I did on my summer vacation, White Columns, New York

1995

Diverse Group/One Direction, apexart, New York [catalogue]

Gang Warfare, The MacKinney Avenue Contemporary, Dallas

“Not Not (Who’s There?)”: Part III, E.S. Vandam, New York

An Offering to San Simon, Christopher Grimes Gallery, Santa Monica, California

On Beauty, Regina Gallery, Moscow [catalogue] 

The Portrait Now, Elga Wimmer Gallery, New York

Pittura/Immedia. Malerei in den 90er Jahren, Neue Galerie am Landesmuseum Joanneum and Künstlerhaus, Graz [itinerary: Műcsarnok Budapest] [catalogue]

Youth Culture Killed My Dog (But I Don’t Really Mind), Contemporary Arts Council, Chicago [catalogue]

1994

Desire, Diffa Visionaire/Charles Cowles Gallery, New York

Don’t Postpone Joy or Collecting Can Be Fun, Neue Galerie am Landesmuseum Joanneum, Graz [itinerary: Austrian Cultural Institute, New York]

I, Myself & Me, The Interart Center, New York

New Work, Galerie Johan Jonker, Amsterdam

NY-NL-XX, Gemeentemuseum Helmond, Helmond, The Netherlands

Out West and Back East: New Work from Los Angeles and New York, Santa Monica Museum of Art, California

Up the Establishment, Sonnabend Gallery, New York

1993

The Figure as Fiction: The Figure in Visual Art and Literature, Contemporary Arts Center, Cincinnati [catalogue]

Medium Messages, Wooster Gardens, New York

Mr. Serling’s Neighborhood, Christopher Grimes Gallery, Santa Monica, California

The Return of the Cadavre Exquis, The Drawing Center, New York [itinerary: Corcoran Gallery of Art, Washington, D.C.; Santa Monica Museum of Art, California; Forum for Contemporary Art, St. Louis; The American Center, Paris] [catalogue]

Tabu: Women, Painting, Subversion, Four Walls, Brooklyn

Yale Collects Yale, Yale University Art Gallery, New Haven, Connecticut [catalogue]

1992

The Anti-Masculine, Kim Light Gallery, Los Angeles

FIAR International. Art Under 30., Palazzo della Permanente, Milan [itinerary: Galleria del Chiostro, Rome; L’Espace Pierre Cardin, Paris; Accademia Italiana della Arti, London; National Academy of Design, New York; Wight Art Gallery, University of California, Los Angeles] [catalogue]

Little Men/Little Women, White Columns, New York

A Paper Trail, Berland/Hall Gallery, New York

Victor Estrada, Charles Long, Pae White, Lisa Yuskavage, Elizabeth Koury, New York

1991

Fine Arts Work Benefit Show, Twining Gallery, New York

1989

Selections by Fine Arts Work Center Fellowship Recipients, Twining Alcove Gallery, New York

Juried Show ’89, New Jersey Center for the Visual Arts, Summit, New Jersey

1988

Emerging Artists, WWAC Gallery, Westport, Connecticut

Twenty Artists Choose Twenty Artists, Provincetown Art Museum, Massachusetts

1987

New Work, New Talent, New Haven, Harcus Gallery, Boston

1986

New Talent, Alpha Gallery, Boston

AWARDS

2005 Temple University Gallery of Success Award, Temple University, Philadelphia

2000 Founder’s Day Certificate of Honor, Tyler School of the Arts, Philadelphia

1996 Tiffany Foundation Grant

1994 MacDowell Colony Fellowship

1986 Zimtbaum Foundation Fellowship, Fine Arts Work Center, Provincetown, Massachusetts

SELECTED ARTIST TALKS & LECTURES

2017

“Lisa Yuskavage Talks Art with FAWC Fellows,” Fine Arts Work Center, Provincetown, Massachusetts

“Contemporary Perspectives on de Chirico,” Center for Italian Modern Art, New York

“Laughter in the Dark: A panel discussion on Philip Guston’s satirical caricatures of the 37th President of the United States: Richard Nixon,” Hauser & Wirth, New York

“Contemporary Perspectives on Francis Picabia,” The Museum of Modern Art, New York

“How to See Francis Picabia – with Lisa Yuskavage and MoMA Curator, Anne Umland,” The Museum of Modern Art, New York

2016

“Artist Talk: Lisa Yuskavage,” Contemporary Art Museum St. Louis, Missouri

“Spring 2016 Opening,” Contemporary Art Musuem, St. Louis, Missouri

2015

“Visiting Artist Lecture Series: Lisa Yuskavage,” Columbia University, New York

“Lisa Yuskavage at Temple Contemporary,” Tyler School of Art, Philadelphia

“Interviews from Yale University Radio WYBCX: Lisa Yuskavage Interview by Angela Lynn Fraleigh; hosted by Brainard Carey,” Yale University, Hartford, Connecticut

“Lisa Yuskavage in Conversation with Jarret Earnest,” The Strand, New York

“The Brood / Lisa Yuskavage, Christopher Bedford / An Artist Dialogue Series Event,” New York Public Library, New York

“Lisa Yuskavage in Conversation with Christopher Bedford,” The Rose Art Museum, Brandeis University, Waltham, Massachusetts

“The Artist Project: Lisa Yuskavage on Édouard Vuillard,” The Metropolitan Museum of Art, New York

“Suzanne Hudson Seminar – Artist Panel,” Whitney Museum of American Art, New York

“Lisa Yuskavage Lecture,” BHQFU, New York

“Intimacy in Discourse,” School of Visual Arts Chelsea Gallery, New York

2014

“Lisa Yuskavage: Artist Talk,” Museum of Fine Arts, Houston, Texas

2013

“Lisa Yuskavage and Phong Bui in Conversation,” New York Studio School, New York

2012

“Artist Talk: Lisa Yuskavage on Vuillard,” The Jewish Museum, New York

“Lisa Yuskavage with Alexi Worth: In Conversation,” New York Studio School

2011

“Dublin Contemporary – Lisa Yuskavage,” Royal Hibernian Academy, Dublin

2010

“Artist Visions Lectures Series: Lisa Yuskavage,” 92nd Street Y, New York

“Visiting Artist Talk: Lisa Yuskavage,” Massachusetts College of Art & Design, Boston

2009

“Lisa Yuskavage,” San Francisco Art Institute

“Lisa Yuskavage,” School of Visual Arts, New York

“Lisa Yuskavage: A Lecture,” Woldenberg Art Center, Tulane University, New Orleans

2007

“Lisa Yuskavage,” Public Art Funds Talk, New School, New York

2005

“ArtTalks: Lisa Yuskavage,” American Federation of Arts, New York

“Lisa Yuskavage in conversation with James Rondeau,” The Art Institute of Chicago

2004

“40th Anniversary Lecture Series: Lisa Yuskavage with Claudia Gould,” Institute of Contemporary Art, University of Pennsylvania

2003

“Visiting Artist Lecture,” Skowhegan School of Painting and Sculpture, New York

2002

“Pictures, Patents, Monkeys, and More… On Collecting,” Institute of Contemporary Art, Philadelphia

2001

“Lisa Yuskavage and Johannes Vermeer,” The Metropolitan Museum of Art, New York

“Lisa Yuskavage on the Last 15 Years of Work,” New York Studio School, New York

2000

“Modern Art Despite Modernism Panel,” Museum of Modern Art, New York

1998

“Seminars with Artists,” Whitney Museum of American Art, New York

1995

“13 Artists in the Studio: Lisa Yuskavage,” Lisa Yuskavage Studio, New York

SELECTED PUBLIC COLLECTIONS

Addison Gallery of American Art, , Phillips Academy, Andover, Massachusetts

Albright-Knox Art Gallery, Buffalo, New York

The Art Institute of Chicago

Denver Art Museum, Colorado

Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York

Gemeentemuseum, The Hague

Hammer Museum, Los Angeles

Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Institute of Contemporary Art, Boston

Museum of Contemporary Art, Los Angeles

Museum of Contemporary Art, San Diego, California

Museum of Fine Arts, Houston, Texas

The Museum of Modern Art, New York

Oklahoma City Museum of Art

Pennsylvania Academy of Fine Arts, Philadelphia

The Rose Art Museum, Brandeis University, Waltham, Massachusetts

Rubell Family Collection, Miami

San Francisco Museum of Modern Art

Seattle Art Museum, Washington

Tampa Museum of Art, Florida

Walker Art Center, Minneapolis, Minnesota

Weatherspoon Art Museum, University of North Carolina, Greensboro

Whitney Museum of American Art, New York

Yale University Art Gallery, New Haven, Connecticut

MONOGRAPHS & SOLO EXHIBITION CATALOGUES

2015

Lisa Yuskavage: The Brood Paintings 1991-2015. Texts by Christopher Bedford, Suzanne Hudson, Catherine Lord, and Siddhartha Mukherjee. Interview with the artist by Katy Siegel. Skira Rizzoli, New York (exh. cat.)

2006

Lisa Yuskavage. Text by David Zwirner. David Zwirner, New York (exh. cat.)

Lisa Yuskavage. Texts by Tobias Ostrander and Christian Viveros-Fauné. Museo Tamayo Arte Contemporáneo, Mexico City (exh. cat.)

2004

Lisa Yuskavage: Small Paintings 19932004. Text by Tamara Jenkins. Harry N. Abrams, New York

2000

Lisa Yuskavage. Texts by Marcia B. Hall and Katy Siegel. Interview with the artist by Claudia Gould. Institute of Contemporary Art, University of Pennsylvania, Philadelphia (exh. cat.)

1996

Lisa Yuskavage. Text by Faye Hirsch. Interview with the artist by Chuck Close. Smart Art Press, Santa Monica, California (exh. cat.)

SELECTED BOOKS & GROUP EXHIBITION CATALOGUES

2016

The Metropolitan Museum of Art: Masterpiece Paintings. Text by Kathryn Calley Galitz, foreword by Thomas P. Campbell. Skira Rizzoli Publications, Inc., New York

2014

The Twenty-First Century Art Book. Texts by Jonathan Griffin, Paul Harper, David Trigg, and Eliza Williams. Phaidon Press, London

2013

The Reckoning: Women Artists of the New Millennium. Texts by Eleanor Heartney, Helaine Posner, Nancy Princenthal, and Sue Scott. Prestel, Munich

2012

Decade: Contemporary Collecting 2002-2012. Texts by David Pagel and Heather Pesanti. Albright-Knox Art Gallery, Buffalo, New York (exh. cat.)

Dublin Contemporary 2011: Terrible Beauty – Art, Crisis, Change & The Office of Non- Compliance. Edited by Christian Viveros-Fauné. Texts by Ben Davis and Christian Viveros-Fauné. Dublin Contemporary (online exh. cat.)

2011

American Exuberance. Texts by Rashid Johnson, Nate Lowman, Richard Prince, Sterling Ruby, Haim Steinbach, Ryan Trecartin et al. Rubell Family Collection, Miami (exh. cat.)

Secret Societies. Texts by Ina Blom, Michael Bracewell, Gary Lachman, Jan Verwoert et al. Snoeck, Cologne (exh. cat.)

2009

Diana and Actaeon: The Forbidden Glimpse of the Naked Body/Diana und Actaeon. Der verbotene Blick auf die Nacktheit. Edited by Sandra Badelt and Beat Wismer. Texts by Bettina Baumgärtel, Maria Moog-Grünewald, Beat Wismer et al. Hatje Cantz, Ostfildern, Germany and Museum Kunstpalast, Düsseldorf (exh. cat.)

Paint Made Flesh. Edited by Mark W. Scala. Texts by Emily Braun, Susan H. Edwards, Mark W. Scala, and Richard Shiff. Vanderbilt University Press, Nashville, Tennessee (exh. cat.)

2008

Art & Today. Text by Eleanor Heartney. Phaidon Press, London

Bad Painting — good art. Texts by Eva Badura-Triska, Susanne Neuburger, Stefan Neuner, Friedrich Petzel et al. DuMont, Cologne and Museum Moderner Kunst Stiftung Ludwig Wien, Vienna (exh. cat.)

2007

Art in America: Three Hundred Years of Innovation. Edited by Susan Davidson. Merrell, London (exh. cat.)

2006

Collecting Contemporary. Text by Adam Lindemann. Taschen, Cologne 

Painting People: Figure Painting Today. Text by Charlotte Mullins. Distributed Art Publishers, Inc., New York

2005

Forty Years at the Institute of Contemporary Art. Edited by Johanna Plummer. Interview with the artist by Claudia Gould. Institute of Contemporary Art, University of Pennsylvania, Philadelphia

2004

Not Afraid: Rubell Family Collection. Text by Mark Coetzee. Phaidon Press, London

SITE Santa Fe 5th International Biennial: Disparities and Deformations, Our Grotesque. Text by Robert Storr. SITE Santa Fe, New Mexico (exh. cat.)

2002

177th Annual: An Invitational Exhibition. National Academy of Design, New York (exh. cat.)

Vitamin P: New Perspectives in Painting. Edited by Valerie Breuvart. Phaidon Press, London

2001

Lateral Thinking: Art of the 1990s. Text by Toby Kamps. Museum of Contemporary Art San Diego, California (exh. cat.)

Naked Since 1950. Text by Robert Pincus-Witten. C&M Arts, New York (exh. cat.)

Pictures, Patents, Monkeys, and More…On Collecting. Texts by Werner Muensterberger, Ingrid Schaffner, and Fred Wilson. Independent Curators International, New York (exh. cat.)

2000

46th Biennial Exhibition: Media/Metaphor. Text by Philip Brookman. Corcoran Gallery of Art, Washington, D.C. (online exh. cat.)

Whitney Biennial. Texts by Maxwell L. Anderson et al. Whitney Museum of American Art, New York (exh. cat.)

Greater New York: New Art in New York Now. P.S.1 Contemporary Art Center, Long Island City, New York (exh. cat.)

Twisted. Urban Visionary Landscapes in Contemporary Painting. Edited by Marente Bloemheuvel and Jaap Guldemond. NAi Publishers, Rotterdam and Van Abbemuseum, Eindhoven, The Netherlands (exh. cat.)

1999

6th Istanbul Biennial: The Passion and the Wave. Text by Paolo Colombo. International Istanbul Biennial (exh. cat.)

The Nude in Contemporary Art. Texts by David McCarthy and Harry Philbrick. Aldrich Contemporary Art Museum, Ridgefield, Connecticut (exh. cat.)

The Time of Our Lives. Texts by Anne Barlow, Xochitl Dorsey, Anne Ellegood, Philip Koplin, Marcia Tucker, and Anja Zimmermann. New Museum of Contemporary Art, New York (exh. cat.)

1998

Cream: Contemporary Art and Culture. Texts by Dan Cameron et al. Phaidon Press, London

Pop Surrealism. Texts by Richard Klein, Dominique Nahas, and Ingrid Schaffner. Aldrich Contemporary Art Museum, Ridgefield, Connecticut (exh. cat.)

Presumed Innocence. Texts by Kathryn Hixson and Robert Hobbs. Anderson Gallery, Virginia Commonwealth University, Richmond; University of Washington Press, Seattle; Contemporary Arts Center, Cincinnati (exh. cat.)

Young Americans 2: New American Art at the Saatchi Gallery. Text by Brooks Adams and Lisa Liebmann. Saatchi Gallery, London (exh. cat.)

1997

My Little Pretty: Images of Girls by Contemporary Women Artists. Text by Staci Boris. Museum of Contemporary Art Chicago (exh. cat.)

New Art. Edited by Roxana Marcoci, Diana Murphy, and Eve Sinaiko. Harry N. Abrams, New York

1995

Pittura/Immedia. Malerei in den 90er Jahren. Edited by Peter Weibel. Neue Galerie am Landesmuseum Joanneum and Künstlerhaus, Graz, Austria (exh. cat.)

1994

The Return of the Cadavre Exquis. Texts by Mary Ann Caws, Elizabeth Finch, Ingrid Schaffner, and Charles Simic. The Drawing Center, New York (exh. cat.)

1993

The Figure as Fiction: The Figure in Visual Art and Literature. Text by Elaine A. King. Contemporary Arts Center, Cincinnati (exh. cat.)

SELECTED ARTICLES, REVIEWS, INTERVIEWS & ARTIST’S WRITINGS

2017

Allsop, Laura. “A Conservation with Lisa Yuskavage.” Ocula (July 7, 2017)

Elbaor, Caroline. “Painter Lisa Yuskavage’s Sultry Sirens Are Back at David Zwirner.” Artnet (June 15, 2017)

Farr, Kristin. “The Erotic and Angelic: Lisa Yuskavage on View @ David Zwirner, London.” Juxtapoz Magazine (June 7, 2017)

Frankel, Eddy. “Lisa Yuskavage.” Time Out London (June 6, 2017)

“Looking at Late de Chirico: Matvey Levenstein, Stephen Ellis, and Lisa Yuskavage.” The Brooklyn Rail (May 1, 2017)

Rachel, T. Cole. “Lisa Yuskavage on Trusting Your Creative Instincts.” The Creative Independent (June 15, 2017)

Sherwin, Skye. “Anatomy of an artwork: Lisa Yuskavage’s Déjà Vu, 2017.” The Guardian (June 12, 2017)

Watkins, Emily. “Girlfriends and Goddesses.” Plinth (July 7, 2017)

2016

“Art Magazine Questions Censorship of Lisa Yuskavage Nude.” ABC (August 9, 2016)

Beall, Dickson. “The Brood: Lisa Yuskavage’s much talked about exhibit at the Contemporary Art Museum now on view.” West End Word (January 26, 2016)

Bryan Miller, Sarah. “Pushing Boundaries: Contemporary Art Museum exhibitions use chipboard, explosions to make their point.” St. Louis Post-Dispatch (January 17, 2016)

Fraiman, Jeff. “Lisa Yuskavage: The Brood.” The Brooklyn Rail (February 3, 2016)

Garcia, Laia. “The Lenny Interview: Lisa Yuskavage.” lennyletter.com (February 12, 2016)

Haas, Lidija. “Lisa Yuskavage: The Brood, Paintings 1991-2015.” Bookforum (December/January 2016)

Kale, Neha. “Lisa Yuskavage: Dancer in the Dark.” Vault (August, 2016)

Miranda, Carolina A. “9 Ways in Which Helen Molesworth’s Permanent Collection Show at MOCA is Upending the Story of Art.” Los Angeles Times (January 8, 2016)

Neuendorf, Henri. “Magazine Forced to Censor Cover of Lisa Yuskavage Nude.” Artnet News (August 9, 2016)

Rosenblatt, Pam. “On being bold: the Lisa Yuskavage: The Brood exhibition at Brandeis University’s the Rose Art Museum.” Wilderness House Literary Review (November 1, 2016)

R.P. “Review.” Modern Painters (Februaury 2016)

Williams, Sonya. “The Brood: Contrasting realities of woman.” The University News (February 25, 2016)

Yuskavage, Lisa. “Dennis Freedman.” Interview (March 2016)

Yuskavage, Lisa. “This is How Lisa Yuskavage Makes a Painting.” Artnet (May 4, 2016)

Yuskavage, Lisa. “My 10 Favorite Books: Lisa Yuskavage.” T Magazine (July 22, 2016)

2015

Bedford, Christopher. “Sightlines: Progeny.” Art in America (February 2015): 29

Bui, Phong. “Lisa Yuskavage.” The Brooklyn Rail (June 3, 2015)

Earnest, Jarrett. “In Conversation: Lisa Yuskavage on Nina Simone and Giovanni Bellini.” The Brooklyn Rail (February 2015): 28-29

Earnest, Jarrett. “Lisa Yuskavage: In the Studio.” Art in America (October 2015): 142-151

Edgers, Geoff. “A Solo Show for an Acclaimed Artist.” The Washington Post (September 25, 2015)

Gorashi, Hannah. “Lisa Yuskavage Joined Grindr to Prep for Her New Show of Rainbow Nudes.” i-D (April 28, 2015)

Grebremedhin, Thomas. “Good World to Be In: An Interview with Lisa Yuskavage.” The Paris Review (April 30, 2015)

Jordan, Eliza. “Men, Incubi, and Succubi Intertwine in Lisa Yuskavage’s New Show.” Whitewall (May 18, 2015)

Prickett, Sarah Nicole. “Critics’ Pick.” Artforum (May 1, 2015)

Schjeldahl, Peter. “Lisa Yuskavage.” New Yorker (May 18, 2015): 22

Smee, Sebastian. “Porn-inspired Art that Pulses with Intelligence.” The Boston Globe (September 17, 2015)

Smith, Roberta. “Review: Lisa Yuskavage at David Zwirner.” The New York Times (May 1, 2015)

Solondz, Todd. “Lisa Yuskavage [interview].” Interview (September 2015): 154-160

Steadman, Ryan. “Both Sides Now: Yuskavage Tackles the Other Sex.” Observer (May 29, 2015)

Viveros-Fauné, Christian. “Lisa Yuskavage’s Brood of Luminous Filthy Figures Rocks the Rose Art Museum.” Artnet News (September 11, 2015)

West, Nancy Shohet. “New Exhibits Welcome Visitors at the Rose.” The Boston Globe (September 1, 2015)

2014

Viveros-Fauné, Christian. “The 50 Most Exciting Artists of 2014.” artnet.com (December 29, 2014)

2012

Heller, Sabine. “Purple Interview: Lisa Yuskavage.” Purple Fashion Magazine (Spring/Summer 2012): 208-215

Kleeblatt, Norman L. “Looking at Art: Seeing Double.” ARTnews (September 2012): 96-101

Landi, Ann. “Double Exposure.” ARTnews (May 2012): 78-85

Lebowitz, Cathy. “Cathy Lebowitz interviews JA [Josefina Ayerza].” lacanian ink no. 39 (Spring 2012): 140-145

Princenthal, Nancy. “Review: Lisa Yuskavage at David Zwirner.” Art in America (January 2012): 92

Schjeldahl, Peter. “Odd Twins: Lisa Yuskavage and Edouard Vuillard.” newyorker.com (June 4, 2012)

2011

de la Torre, Mónica. “Interview with Lisa Yuskavage.” BOMB Magazine (Fall 2011): 82-89

Indrisek, Scott. “Review: Lisa Yuskavage, David Zwirner.” Modern Painters (December 2011/January 2012): 95

Johnson, Ken. “Art in Review: Lisa Yuskavage, David Zwirner.” The New York Times (October 7, 2011): C26

Lindquist, Greg. “Review: Lisa Yuskavage, David Zwirner.” The Brooklyn Rail (November 2011): 60

Mollart, Sophie. “Lisa Yuskavage: Make a Wrong a Right.” planet-mag.com (October 10, 2011)

Murg, Stephanie. “In the Studio: Lisa Yuskavage.” Art+Auction (September 2011): 64-66, 68, 70

Nathan, Emily. “Lisa Yuskavage: Something Like Sirens.” artnet.com (October 5, 2011)

Schjeldahl, Peter. “The Year in Art: De Kooning Keeps Happening.” newyorker.com (December 29, 2011)

Scott, Andrea K. “Critic’s Notebook: Dangerous Beauty.” The New Yorker (October 24, 2011): 10

Viveros-Fauné, Christian. “The Best Art Shows of 2011: Lisa Yuskavage, David Zwirner.” The Village Voice (December 28, 2011): 20

Wolin, Joseph R. “Review: Lisa Yuskavage, David Zwirner.” timeout.com/newyork (October 24, 2011)

Yuskavage, Lisa. “Muse: Jesse Murry, 1948-1993.” Art in America (October 2011): 54-55

“Lisa Yuskavage’s Playground of Earthly Delights.” huffingtonpost.com (October 25, 2011)

2010

Carlin, T.J. “Lisa Yuskavage: Studio Visit [interview].” timeout.com/newyork (May 24, 2010) 

Sherwin, Skye. “Artist of the week 85: Lisa Yuskavage.” theguardian.com (April 28, 2010)

Sinclair, Charlotte. “Naked truth.” British Vogue (May 2010): 85

Zohn, Patricia. “Lisa Yuskavage: The Journey of an Art Star.” huffingtonpost.com (June 23,2010)

2009

Bui, Phong. “In Conversation: Lisa Yuskavage with Phong Bui.” The Brooklyn Rail (March 2009): 22-25

Carlin, T.J. “Review: Lisa Yuskavage, David Zwirner.” Time Out New York (March 12-18, 2009): 46

Coulter, Gerry. “Lisa Yuskavage.” Ctrl+P Journal of Contemporary Art no. 15 (October 2009): 23-27

Kley, Elisabeth. “Review: Lisa Yuskavage, David Zwirner.” ARTnews (June 2009): 102

Rosenberg, Karen. “Art in Review: Lisa Yuskavage, David Zwirner.” The New York Times (March 6, 2009): C28

Yuskavage, Lisa. “Francis Bacon.” Vogue (April 2009): 224 [published as part of Dodie Kazanjian, “Secrets of the Flesh.” Vogue (April 2009): 222-227]

2008

Bodin, Claudia. “Die Meisterin des Obszönen.” art Das Kunstmagazin (January 2008): 52-57

2007

Butler, Cornelia and Amelia Jones. “Lisa Yuskavage: Critiquing Prurient Sexuality … or Disingenuously Peddling a Soft-Core Porn Aesthetic?” The Washington Post (April 22, 2007): N6, N7

Enright, Robert. “The Overwhelmer: The Art of Lisa Yuskavage [interview].” Border Crossings (August 2007): 36-48

Heartney, Eleanor. “Review: Lisa Yuskavage at David Zwirner and Zwirner & Wirth.” Art in America (February 2007): 143-144

Herbert, Martin. “Review: Lisa Yuskavage, greengrassi.” Time Out London (October 17-23, 2007): 48

Karcher, Eva. “Jenseits von Hardcore.” Monopol (May 2007): 34-45

Neil, Jonathan T.D. “Lisa Yuskavage.” Art Review (January 2007): 147

Richard, Frances. “Review: Lisa Yuskavage, David Zwirner/Zwirner & Wirth.” Artforum (January 2007): 246

Schwabsky, Barry. “Review: Lisa Yuskavage, David Zwirner/Zwirner & Wirth.” Map (Spring 2007): 54-55

Schwendener, Martha. “Even in the Digital Age, a Strong Case for Printmaking.” nytimes.com (February 12, 2007)

2006

Belcove, Julie L. “Lisa’s Women [interview].”W Magazine (November 2006): 320-327

Kastner, Jeffrey. “Art in Review: Lisa Yuskavage, David Zwirner and Zwirner & Wirth.” The New York Times (November 10, 2006): E38

Kunitz, Daniel. “Take a Bite of Peach: Lisa Yuskavage.” Art Review (October 2006): 26

Lancaster, Jake. “Cultural Stimuli in NYC: Artwork by Lisa Yuskavage.” flavorpill.com (October 17-23, 2006)

Rosenberg, Karen. “An Afternoon in Chelsea.” New York Magazine (November 13, 2006): 92

Rousseau, Bryant. “Artist Walk: Lisa Yuskavage.” artinfo.com (October 26, 2006)

Schjeldahl, Peter. “Critic’s Notebook: Bombshells.” The New Yorker (November 2, 2006): 13

Scott, Andrea K. “Lisa Yuskavage: Flesh for fantasy [interview].” Time Out New York (October 19-25, 2006): 96

Wallis, Stephen. “Object of Desire.” Departures (March/April 2006): 116

Yuskavage, Lisa. “When in Rome.” Culture & Travel (September/October 2006): 124-127

“Fall preview: Strip shows.” Time Out New York (September 7-13, 2006): 36

2005

Prose, Francine. “Preemptive Strike: Lisa Yuskavage’s very weird women.” Modern Painters (March 2005): 72-75

2004

Higgie, Jennifer. “Women on the Verge.” frieze (October 2004): 142-145

Honigman, Ana Finel. “The good, the bad and the ugly.” Art Review (July/August 2004): 31-32

Kastner, Jeffrey. “Deviation Standard: Jeffrey Kastner on SITE Santa Fe.” Artforum (May 2004): 73

Landi, Ann. “Disturbing Beauty.” ARTnews (January 2004): 118-121

O’Reilly, Sally. “Review: Lisa Yuskavage, greengrassi.” Time Out London (June 16-23, 2004): 50

Rosenberg, Karen. “Conversation: Lisa Yuskavage and Tamara Jenkins.” New York Magazine (November 22, 2004): 99

“SITE Santa Fe: Lisa Yuskavage.” Art+Auction (July 2004)

2003

Avgikos, Jan. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (September 2003): 224-225

Boucher, Brian. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Flash Art (October 2003): 56-57

Clem, Chivas. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Time Out New York (June 12-19, 2003)

Horyn, Cathy. “Critic’s Notebook: Fashion and Art Embrace, if not Passionately.” The New York Times (August 5, 2003): B5

Johnson, Ken. “Art in Review: Lisa Yuskavage, Marianne Boesky Gallery.” The New York Times (June 20, 2003)

Mitchell, Claire. “What It Feels Like For A Girl.” Nylon (December 2003/January 2004): 76

Valdez, Sarah. “Naked Truths.” ARTnews (March 2003): 98-101

Yuskavage, Lisa. “To Philip Guston.” The Brooklyn Rail (November 2003): 14

“The Kate Moss Portfolio [photograph by Lisa Yuskavage].” W Magazine (September 2003): 422-423

“Lisa Yuskavage.” The New Yorker (June 2, 2003): 18-19 [reprinted in The New Yorker (June 9, 2003): 24]

“Lisa Yuskavage: new paintings.” The Art Newspaper (May 2003)

2002

Girst, Thomas. “Zurück zur Figur.” Süddeutsche Zeitung (April 12, 2002): 26-32

Holmes, Pernilla. “The Royal Treatment.” Art+Auction (October 2002): 91

Koroxenidis, Alexandra. “Through the Eyes of Women.” Kathimerini Newspaper/Herald Tribune (July 29, 2002)

Tuttle, Richard. “Artists Curate: Cosmic Relief.” Artforum (February 2002): 116-121

2001

Chen, Aric. “Bust a Move.” New York Magazine (June 4, 2001)

Clifford, Christen. “Lisa Yuskavage.” Black & White Magazine (December 2001): 78-83

Combs, Whitney. “Balthus RIPs.” NY Arts Magazine (March 2001)

Fabianich, Eric. “Lisa Yuskavage.” NY Arts Magazine (February 2001): 77

Gardner, James. “Lisa Yuskavage.” New York Post (January 15, 2001)

Gilmore, Jonathan. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” tema celeste (March/April 2001): 94

Glueck, Grace. “Art in Review: Naked Since 1950, C&M Arts.” The New York Times (November 30, 2001)

Gopnik, Blake. “Mr. President, Give Your House a New Look.” The Washington Post (January 21, 2001)

Jana, Reena. “Tees for Two.” ARTnews (September 2001)

Levin, Kim. “Tit for Tat: Painting as Cerebral Cheesecake.” The Village Voice (January 30, 2001): 69

Lotozo, Eils. “Essentials: Art.” The Philadelphia Inquirer (January 27, 2001)

Lovelace, Carey. “Lisa Yuskavage: Fleshed Out.” Art in America (July 2001): 80-85

Martinière, Cécile. “Lisa Yuskavage: Toutes en rondeurs.” technikart.com (August 1, 2001)

Mathonnet, Philippe. “A Genève, trois artistes contemporains se rient des troubles de la perception.” Le Temps (June 5, 2001): 44

Newhall, Edith. “Lisa Yuskavage.” ARTnews (April 2001): 147

Schappell, Elissa. “Hot Type.” Vanity Fair (January 2001): 171

Schjeldahl, Peter. “Girls, Girls, Girls.” The New Yorker (January 15, 2001): 100-101

Schwabsky, Barry. “Review: Lisa Yuskavage, Institute of Contemporary Art/Marianne Boesky Gallery.” Artforum (April 2001): 141-142

Scott, Jane. “Bootylicious.” Oyster (October/November 2001)

Siegel, Katy. “Passages: Balthus Remembered; Katy Siegel talks with Lucian Freud, Lisa Yuskavage, David Salle, and John Currin.” Artforum (Summer 2001): 35-37

Smiley, Jane. “Just Like a Woman.” Harper’s Bazaar (January 2001)

Smith, Roberta. “Art in Review: A Painter Who Loads the Gun and Lets the Viewer Fire It.” The New York Times (January 12, 2001): B51

Summers, Francis. “Nicely Ordinary Nudity.” Sleazenation (June 2001): 88-91

Tep, Ratha. “Busty Babes.” 34th Street Magazine (January 25, 2001)

Thomas, Michael. “Egad! I Met Marc Rich, Long Ago in Switzerland.” New York Observer (February 15, 2001)

Vine, Richard. “Paint Strippers.” New York Magazine (January 2001): 68

Viveros-Fauné, Christian. “Review: Lisa Yuskavage, Institute of Contemporary Art/Marianne Boesky Gallery.” New York Press (January 17-23, 2001)

Wasserman, Burton. “Duly noted: Three at ICA.” Art Matters (January 2001): 16-17

2000

Denker, Carol. “Artist’s Work Has Taken Her Far, but Is Planted in Her Juniata Roots.” The North Star (December 13, 2000) [reprinted in Bridesburg Star, Port Richmond Star, Three Star Edition, and Star/Fishtown]

Fabbri, Anne R. “Not ‘Easel’ly Forgotten: Three Thought-Provoking Exhibitions open at ICA.” (December 8, 2000)

Philadelphia Daily News (December 8, 2000)

Fallon, Roberta. “The Body Shop.” Philadelphia Weekly (December 6, 2000)

Fowler, Maria. “A Walk on the Wild Side at the ICA.” King of Prussia Courier (December 27, 2000)

Gandee, Charles. “I Am Curious (Yellow).” Talk (April 2000): 60

Goodman, Wendy. “The Art of Living.” New York Magazine (November 6, 2000)

Kino, Carol. “Dealings with the Whitney Biennial.” Art+Auction (April 15, 2000): 40

Lee, Albert. “Behind the Curves.” Nerve (December 2000/January 2001)

Lotozo, Eils. “A Provocative Painter [interview].” The Philadelphia Inquirer (November 30, 2000)

Melada, Geoffrey W. “Blonde Ambition.” Philadelphia Magazine (December 2000)

Moreno, Gene. “High Noon in Desire County.” Art Papers (May/June 2000): 30-35

Rice, Robin. “Candy Land.” Philadelphia City Paper (December 14-21, 2000)

Saltz, Jerry. “My Sixth Sense.” The Village Voice (April 4, 2000): 69

Schjeldahl, Peter. “The Art World: Pragmatic Hedonism.” The New Yorker (April 3, 2000): 94-95

Seidel, Miriam. “Art Attack.” Philadelphia Magazine (September 2000): 180, 190-192

Seidler, Rosa. “Shock of The Nude.” Elle (December 2000)

Shaw-Eagle, Joanna. “Corcoran Exhibit Is Varied Metaphor.” The Washington Times (December 9, 2000)

Siegel, Katy. “Blonde Ambition: The Art of Lisa Yuskavage.” Artforum (May 2000): 156-159

Smith, Roberta. “Critic’s Notebook: Portrait of the Artist as a Young Woman.” The New York Times (July 5, 2000): 1, 5

Solomon, Deborah. “Art Girls Just Wanna Have Fun.” The New York Times Magazine (January 30, 2000): 36-39

Solomon, Deborah. “A Roll Call of Fresh Names and Faces.” The New York Times (April 16, 2000): 35

Sozanski, Edward J. “Film and Video Shine Brightest at This Year’s Whitney Biennial.” The Philadelphia Inquirer (March 26, 2000)

Sozanski, Edward J. “A Provocative Take on Female Sexuality.” The Philadelphia Inquirer (December 10, 2000)

“Faces of Art 2000.” Talk (March 2000): 60

1999

Arning, Bill. “The Nude in Contemporary Art: Body Politics.” Time Out New York (July 8-15, 1999): 56-57

Cohen, Michael. “Pittura a New York.” Flash Art (October/November 1999): 94-96

Decker, Andrew. “Art’s Next Wave.” Cigar Aficionado (March/April 1999): 174

Dietrich, Dorothea. “Working Proof.” Art on Paper (March/April 1999): 56

Dobrzynski, Judith H. “A Painter and Her Art Trade Places.” The New York Times (January 28, 1999): E1, E8

Knight, Christopher. “Brush Strokes of Genius.” Robb Report (June 1999): 95-99

Licht, Matthew. “Titty as a Picture!” Juggs (March 1999): 44-45

Russo, Giuseppe. “Z la formica, la mongolfiera, il senso del mondo e l’arte contemporane.” tema celeste (March/April 1999): 34-41

Schwendener, Martha. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Flash Art (March/ April 1999): 111

“Lisa Yuskavage.” Bust (Fall 1999)

“Lisa Yuskavage.” Tank (April 1999)

“Lisa Yuskavage [artist portfolio].” Columbia: A Journal of Literature and Art no. 31 (Winter 1999): 85-88

1998

Bevan, Roger. “Saatchi Shows More Young Americans.” Art+Auction (September/October 1998)

Burns, Anna. “Children and Sexuality in the Visual Arts.” Contemporary Visual Arts no. 18 (Summer 1998): 38-43

Cotter, Holland. “Art in Review: Lisa Yuskavage, Marianne Boesky Gallery.” The New York Times (October 2, 1998)

Hayt, Elizabeth. “Evoking the Fitful Passage to Womanhood.” The New York Times (May 10, 1998): 50

Jones, Ronald. “The Best of 1998: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (December 1998): 100-101

Manami, Fujimori. “Lisa Yuskavage.” Bijutsu Techo (November 1998)

Schjeldahl, Peter. “Purple Nipple: Lisa Yuskavage, Marianne Boesky Gallery.” The Village Voice (September 29, 1998): 138

Siegel, Katy. “Review: Lisa Yuskavage, Marianne Boesky Gallery.” Artforum (November 1998)

Smith, Roberta. “Art in Review: The Risk of Existence, Phyllis Kind Gallery.” The New York Times (December 4, 1998)

Steinberg, Michael. “A New York Mosaic.” Modern Painters (Spring 1998): 114-115

Whitehead, Jayson. “The Paintings of Lisa Yuskavage [interview].” Gadfly (April 1998): 30-32

1997

Clifford, Katie. “Review: Lisa Yuskavage at Boesky & Callery.” Art Papers (January/February 1997): 61

Condon, Elisabeth. “Review: Lisa Yuskavage, Boesky & Callery.” New Art Examiner (February 1997)

Frankel, David. “Review: The Name of the Place.” Artforum (May 1997): 104

Hill, Shawn. “Sex and Sensibility.” Bay Windows (January 16, 1997)

McQuaid, Cate. “Sexualized Salami.” The Boston Globe (January 2, 1997)

Pokorny, Sydney. “Review: Lisa Yuskavage, Boesky & Callery.” Artforum (February 1997): 89

Ritchie, Matthew. “Review: Lisa Yuskavage, Boesky & Callery.” Flash Art (March/April 1997)

Schjeldahl, Peter. “Painting Rules.” The Village Voice (September 30, 1997): 97

Schwabsky, Barry. “Picturehood is Powerful.” Art in America (December 1997): 80-85

Vine, Richard. “Review: Lisa Yuskavage at Boesky & Callery.” Art in America (February 1997): 103

Wallach, Amei. “The Contemporary Collector’s Art.” The New York Times Magazine (October 26, 1997): 42-46

Wye, Pamela. “Desiring Machines and Exquisite Corpulence: Lisa Yuskavage’s Girlies.” Sulfur (Spring 1997)

“Working Proof.” Art on Paper (January/February 1997)

1996

Arning, Bill. “Review: Lisa Yuskavage, Boesky & Callery.” The Village Voice (October 29, 1996)

Boccella, Kathy. “Artist’s Voluptuous Paintings Are Big Attention-Getters.” Chicago Tribune (November 18, 1996)

Boccella, Kathy. “A Juniata Park Native Hits It Big On The Art Scene.” The Philadelphia Inquirer (November 6, 1996)

Brooks, Rosetta. “Lisa Yuskavage: Some Girls Do.” Art+Text (May 1996): 30-32

Cooper, Jacqueline. “Review: Lisa Yuskavage at Christopher Grimes.” New Art Examiner (March 1996)

Dalton, Jennifer. “Review: Lisa Yuskavage at Boesky & Callery.” Review (November 1, 1996)

Feldman, Hannah. “The Lolita Complex.” World Art (Summer 1996): 52-57

Joyce, Julie. “Review: Lisa Yuskavage at Christopher Grimes.” Art Issues (March/April 1996)

Kandel, Susan. “Review: Yuskavage’s Works Embark on a Psycho Sexual Adventure.” Los Angeles Times (January 15, 1996)

Kean, Amy. “In the Gallery.” New York Post (October 26, 1996)

Pall, Ellen. “The Do-It-Yourself Dealers.” The New York Times Magazine (September 1, 1996): 29-35

Plagens, Peter. “Lady Painters? Smile When You Say That.” Newsweek (September 30, 1996): 82-84

Saltz, Jerry. “Review: Lisa Yuskavage, Boesky & Callery.” Time Out New York (October 31 – November 7, 1996)

Smith, Roberta. “Art in Review: Palettes Full of Ideas About What Painting Should Be; Lisa Yuskavage, Boesky & Callery.” The New York Times (November 1, 1996): C27

Zellen, Jody. “Review: Lisa Yuskavage, Christopher Grimes Gallery.” art press (April 1996): 73

“Portfolio: Lisa Yuskavage.” BOMB Magazine (Winter 1996)

1995

Connors, Thomas. “Review: Youth Culture Killed My Dog (but I don’t really mind).” New Art Examiner (September 1995): 42

Damianovic, Maia. “The Fantastic in Art.” tema celeste (Winter 1995): 76-99

Yuskavage, Lisa. “Interview: Chuck Close by Lisa Yuskavage.” BOMB Magazine (Summer 1995): 30-35

“Artist’s Page.” Frame-WORK 7, no. 2 (1995)

“Cadavre Exquis Revisited.” Manhattan File (May 1995): 68

1994

Cotter, Holland. “Art in Review: The Joys of Childhood Re-examined.” The New York Times (March 25, 1994)

Kandel, Susan. “Review: Visions of Seduction, Repulsion.” Los Angeles Times (June 9, 1994)

Knight, Christopher. “Review: A Bicoastal Flashback.” Los Angeles Times (February 18, 1994)

Relyea, Lane. “Review: Lisa Yuskavage, Christopher Grimes Gallery.” Artforum (November 1994): 92

Saltz, Jerry. “A Year in the Life: Tropic of Painting.” Art in America (October 1994): 90-101

Schwabsky, Barry. “The Sublime, the Beautiful, the Gender of Painting: Confessions of a Male Gaze.” New Art Examiner (April 1994): 21-24, 55

Smith, Roberta. “Art in Review: Up the Establishment, Sonnabend Gallery.” The New York Times (June 3, 1994)

“Lisa Yuskavage.” Visionaire no. 12 (Fall 1994)

1993

Hirsch, Faye. “Review: Lisa Yuskavage at Elizabeth Koury.” Art in America (June 1993): 103

Lloyd, Ann Wilson. “Where Are They Now [interview]?” Provincetown Arts (1993): 34

Schwabsky, Barry. “Review: Lisa Yuskavage, Elizabeth Koury.” Artforum (April 1993)

1992

Yuskavage, Lisa. “The Question of Gender in Art.” tema celeste (Autumn 1992): 70-71

1988

Fry, Patricia L. “Strictly Business: Grants for Artists.” The Artist’s Magazine (September 1988)

Watkins, Eileen. “Gladstone Exhibition Showcases ‘Realism’ with Interesting Results in Various Forms.” The Star Ledger (January 24, 1988)

1986

Campbell, Julie Freeman. “Fellows: 1986-1987.” Provincetown Arts (Fall 1986): 27